So how does the A6000 perform for bird photography when you pair it with a suitable telephoto lens? The continuous shooting speeds go up to 11fps or 8fps if you want live view (with blackouts). Thanks to its phase detection system, the camera can work with Sony A-mount and Canon EF-mount lenses when paired with a compatible adapter. Sony A9II. In the last years however, mirrorless cameras have reached a new level of maturity, making them an interesting alternative for this challenging genre. It has the best autofocus system of any mirrorless camera we’ve tried to date and in fact, it outperformed the Nikon D500 in terms of AF speed and accuracy. The super fast sensor readout allows you to shoot up to 20fps with AF/AE tracking without any distortion (rolling shutter effect). 152mm 1/1600@f8.0 ISO5000. Birds in flight are ideal for this and tracking them has never been so easy. The Sony A7R IV literally destroys the old stereotype that mirrorless cameras can't be good for wildlife photography & birding. The 55-200mm f3.5-4.8 is a decent lens but can feel a little short. 4.8. So I picked the flagship APS-C Nikon D500 with the recent Nikkor 200-500mm f/5.6 to see how much better the performance was in comparison to today’s flagship mirrorless cameras. The menu system is much improved over previous Sony cameras as well. My first set was rather disappointing: I used the 153 Points Dynamic Area and I got an average keeper rate of 56% (or 69% if I don’t count the slightly soft images). Photography Tips Bobby Vogt 5/8/20 Photography Tips Bobby Vogt 5/8/20. I got good results with the X-Pro2 since its AF system is the same as the one found on the X-T2. On Tuesday, Sony announced two new 600mm lenses: a 600mm f/4 prime aimed at pro sports and wildlife photographers, and a much more affordable Sony 200-600mm f/5.6-6.3 which is certain to appeal to a much broader audience. The new real time tracking mode is the best we’ve ever tried and, while it doesn’t work with birds, Eye AF for animals can be of use for many other subjects. At the top of our list of the … There are different price points to satisfy different budgets: Note: the Olympus 75-300mm is not weather-sealed. Just holding it in your hand immediately gives you a very positive impression about its build quality and strength. The truth is that DSLRs still rule if you are looking for the best autofocus performance and a wider selection of camera bodies and lenses for every need and budget. Stunning buffer capabilities (even when shooting RAW) and a state of the art EVF (3686k dots, 0.78x magnification and 120fps refresh rate) further improve the experience. You have to rely on adapters and DSLR lenses, and if wildlife is your main interest, then it makes more sense to look for a DSLR body. If Fujifilm decides to release an X-H1 successor with the same technology as the X-T3, it could become a killer camera for this genre. One of the features that will be suitable for wildlife photography is the presence of built in image stabilization. For wildlife it is unlikely you’ll be able to take advantage of it however: it does work at long focal lengths but any small movements will result in artefacts and a loss in resolution. The AF-C Custom Settings allow you to fine-tune the performance. The Nikon D850 is a professional nature photographer’s dream camera. Sony Alpha A6600: 4.4: 4.2. First we have the continuous autofocus performance. Certainly the old rule applies – a body with a larger sensor can give you better dynamic range or high ISO performance – but I can safely say that I got good results with all the models listed here. The D500 and 200-500mm kit remains reasonable and I worked hand-held the whole time but I definitely felt the difference in comparison to some mirrorless combos. A combination of an APS-C sensor, 5 axis in-body image-stabilization, 4K video (no crop), AF tracking, and battery life makes it the ideal mid-range camera for underwater photography. In addition to the 5-axis sensor shift, you can use Sync IS to combine sensor and optical stabilisation with select lenses. The Sony a7C forgoes Sony’s typical pattern of leapfrogging its own lineup with a headline-grabbing camera release for something that’s more vanilla. With this camera I bought the Sony 10-18 F4 lens, the Sony 70-350 G Lens and the Sigma 16mm 1.4 lens. For songbird photography with a maximum equivalent focal length of 52… Some examples are shared later on in this guide for inspiration. The 200-600mm has the most versatile range but you have to consider its size and weight when mounted on a compact body like the A6400. 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