But its excellent image quality (smooth motion, impressive levels of detail), tough magnesium alloy construction, affordable price tag and, most importantly, its superb, highly advanced autofocus setup go a long way towards making it a contender for most accessible 4K camera round. It has attracted some attention for the wrong reasons, notably overheating (or the threat of it) when recording 8K video, but this shouldn't detract from this camera's extraordinary capabilities. Arguably the biggest issue is the autofocus performance which, due to an absence of phase-detection pixels, can be a little inconsistent and jerkier than rivals. But it's still the best A7 model for video all round. The choice may be expressed as ‘All-I’ (intra-frame) and ‘IPB’ (inter frame) compression.Â, Log modes: These capture ‘flat’ video with a wider brightness range designed for editing (grading) later. Nikon includes a high dynamic range N-Log mode for those who want the flexibility to carry out colour grading work later, and the eye AF has been improved (also via a firmware update). Intra-frame vs inter-frame (IPB): Intra-frame compression compresses each frame individually and gives the best quality frame by frame. In this post, you'll learn how to choose the best 4K video camera – and see them compared against the best GoPro camera. Add V-Log, time-lapses, dual native ISO and anamorphic 4K into the mix and the S5 shapes up as an impressive option for 4K film-makers. See our guide to the best LED panels. Now we move on to finding the best 4k camera for live streaming. The following table lists the 20 superzoom cameras with the longest tele-photo setting (in terms of full-frame focal length equivalence). Its standout features include class-leading dynamic range and 4K video recording, as well as 96MP high resolution RAW+JPEG capture. Fully-articulating screens are less important for video because you never shoot with the camera held vertically. It successor brings features like unlimited 4K recording, but if you don't mind being restricted to 30 minutes per clip then this model offers great value. Best 4k Camera: What is 4K Video? We’ve dedicated lots of time to reviewing, rating and ranking the top 4K models so we can recommend the best in every format just for you. Type: CSC | Sensor: Four Thirds | Megapixels: 20.3MP | Screen: 3.0-inch, 1,040k pivot touch | Viewfinder: Electronic, 3,680k | Lens: Micro Four Thirds | Continuous shooting speed: 12fps (6k 30fps, 4k 60fps) | Max video resolution: 4k | User level: Professional/Enthusiast. The Sony A7S III is almost definitely the best hybrid camera you can currently buy. Canon’s EOS-1DX Mark III is undoubtedly the best 4K 60 fps camera out there for those who need both top quality stills and video performance in a single pro-level DSLR. However, sports fans should note it can shoot stills at 10fps and has an incredible 1,000-shot raw buffer (using new CFexpress Type A cards).Â, Panasonic's full-frame Lumix S1H will tempt serious cinematographers, Type: Mirrorless | Sensor: Full frame | Sensor resolution: 24.2MP | Lens mount: L-mount | 4K frame rates: 60, 50, 30, 25, 24p | 4K sensor crop factor: 1x | Standard ISO range: Dual Native ISO, 100-51,200 | Memory cards: 2x SD/SDHC/SDXC (UHS II). The 10-bit N-Log shooting option, which is also absent from the D850, gives you a better starting point for grading footage. Videographers will also enjoy other ports such as a headphone and microphone socket, compatibility with the XLR-K3M hot-shoe accessory from Sony, for up to four audio inputs. With this camera, you get exceptional quality at a price that will fit into most budgets. Panasonic GH5 4K camera. A superb all-rounder for shooting a balanced diet of video and stills, Type: Mirrorless | Sensor size: APS-C | Resolution: 26.1MP | Lens: Fuji X | Monitor: 3-inch articulating, 1,620k dots | Viewfinder: EVF, 3.69 million dots | Maximum continuous shooting speed: 15fps/30fps | Movies: 4K | User level: Intermediate/Expert. Which, given the in-built Wi-Fi and Bluetooth, isn’t much of a compromise at all. Sony is an established brand that is already known for manufacturing the best cameras and other appliances in the world. Some also have toothed rings that engage with professional pull-focus mechanisms. We're looking forward to testing the new Panasonic S1 (and its S1R launch partner), as it also boasts strong video specs but adds the further delight of a full-frame sensor, which bodes well for low-light work and shallow depth of field. There's 4K video capture up to 30p (with a bit rate up to 100Mbps) and a dedicated microphone socket. On paper, the Mark III’s video specification is solid enough to cater for both casual recorders and more serious videographers: it can shoot Cine 4K video at 24fps (237Mbps) and Full HD at up to 120fps, with an OM-Log 400 colour profile that’s little short of lovely. The best mirrorless camera there is for 4K video, but stills are 12MP only, Type: Mirrorless | Sensor: Full frame | Megapixels: 12.1 | Lens mount: Sony FE | Monitor: 3-inch vari-angle touchscreen, Fully articulating 3-inch touchscreen 1,440K dots | Viewfinder: OLED EVF, 9,437K dots | Max continuous shooting speed: 10fps | Max video resolution: 4K | User level: Professional, It’s taken Sony five years to upgrade the video-centric A7S II to a Mark III, but the wait has been worth it for keen enthusiast and professional moviemakers. Receive news and offers from our other brands? Try A Skillshare Course: https://skl.sh/chriswinter(2 Month Free Trial For The First 500 People - Be Quick! 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Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: 10.2MP | Lens: Micro Four Thirds | Viewfinder: EVF | Monitor: 3.2-inch vari-angle display, 1,620,000 dots | Maximum continuous shooting speed: 12fps | Movies: 4K at 60fps | User level: Expert. The controls, the interface and certainly the hardware have been build for video and cinematography, and the fact it’s also a very serviceable 24MP stills camera is a bonus. It has an evergreen appeal, thanks to its size, looks, simplicity and chic design. All camera makers have their own versions of log modes, such as S-Log (Sony) and C-Log (Canon). Find out its other features by reading the rest of our best video cameras list.  The same goes for Sony's latest eye AF and eye AF tracking capabilities, because when you're in front of the camera rather than behind it, you need to be sure it's going to keep you in focus. Some of the choices on the market at the moment are pretty special. Crop factors: Not all cameras capture 4K video across the full width of the sensor. A first-gen full-framer that’s no video novice, Type: Mirrorless | Sensor size: Full-frame CMOS | Resolution: 24.2MP | Lens: N/A | Viewfinder: OLED EVF, 5.76M dots | Monitor: 3.2-inch tri-axis touchscreen, 2.1 million dots | Maximum continuous shooting speed: 9fps | Movies: 4K | User level: Beginner/intermediate. The big step forward with the X-T4, however, is the new in-body stabilisation, which can reduce or eliminate the need for a gimbal, especially when used alongside the digital image stabilisation system. Additionally, its camera is fantastic. There was a problem. The Sigma fp is a brilliant concept though the continuous AF is poor. Here are the best 4K cameras, from models that fit in your pocket to cinema-grade production rigs that can take your movie to Cannes—and beyond. While the Z7 remains an excellent choice for stills shooters looking to capture video alongside their images, the Z6 is arguably better for the videographer as it can capture oversampled 4K footage without a crop (which the Z7 can't do). And thanks to some aggressive recent pricing by Nikon, it's a whole lot cheaper. We unravel the jargon and pick the best cameras, Choosing the best 4K camera for video means being clear about the kind of videography you want to do. List of Best 4K Cameras in 2020 – Action & Filmmaking Cameras 1. You'll also learn about the 8 most important factors when choosing the best 4K camcorder for vlogging, filmmaking, or travel. With high resolutions, larger network bandwidth is required for transmission. The best cameras for shooting 4K @ 60fps video. The best camera phone in 2020: which is the best smartphone for photography. After all, 4K itself used to be a flagship, class-leading specification, but now you’ll find it even on relatively basic compact cameras and smartphones. Flip-over screens used to be considered a gimmick  for selfie fans, but they're really useful for vloggers who need to film a piece to camera. Despite its compact size, the Lumix S5 shares the impressive 24MP CMOS sensor housed in the Lumix S1, but with improved AF. It's since been succeeded by the new Nikon Z6 II, but we haven't yet reviewed that camera, so in the meantime it retains its place. The Manfrotto Nitrotech N8 has both these features, together with a counterbalance system that prevents the camera drooping forward when it’s released. As a stills camera, the Canon EOS R5 is simply Canon's finest product ever. This can produce better quality and is sometimes used on cameras where the native sensor resolution is much higher than 4K. The offer here is that you are effectively getting the Flashpoint Zoom Li-on X TTL Speedlight strobe thrown in as your free holiday gift! Not all 4K cameras are equal. The only reason this camera isn't number one in our list is price. This is a great camera to start with if you're more interested in vlogging than regular photography – or both! The best camera phones already shoot 4K, of course, as do many of the best point and shoot cameras. It’s tough to beat in this category, a and if you had your eye on the Lumix S1H (or the Lumix S1), you should take a look at this first. The A7 III tops out at 30fps but it uses the full sensor width with no crop factor to capture great quality 'oversampled' 4K footage, and comes with an S-Log mode for high dynamic range scenes and colour grading later on, together with a fast and effective AF system. Learn how to understand everything written on your camera's memory cardÂ. The autofocus, which includes excellent real-life eye and face tracking, takes a lot of the work out of both video and stills work, particularly if you’re frequently shooting other people – or yourself. At one time we wouldn't have hesitated to recommend the more expensive Lumix GH5 as the best Panasonic Lumix G 4K camera. So, if you feel the need to have a high-resolution camera, you may pick the one … Better still, recent price drops have made it exceptional value. It uses a Super 35mm CMOS sensor similar in size to APS-C and corresponding to the old 35mm movie format. 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However, a succession of firmware upgrades have brought the cheaper Lumix G9 to the point where it more or less matches the GH5's video capabilities but makes for a slightly better stills camera (not least because of its pixel-shift high-res mode, for example). We will concentrate on the rapidly growing list of hybrid stills/video cameras that can handle all types of content creation. It has the same build quality and controls as the more expensive Z 7, it can capture full-width oversampled 4K video and it's better at high ISO settings. Panasonic has for a long time been the go-to brand for 4K filmers for quite a while, but with a diverse and thriving market, there’s lots of alternatives to choose from right now. It's expensive, and it feels like there's still a bit of development work to be done on the video side, but as a crossover pro stills/video camera, it's a dramatic step forward. Live view: Mirrorless cameras have an advantage because they offer full-time live view both on the rear screen and in the viewfinder. Perhaps you’re an amateur videographer who’s just starting to contemplate getting pretty serious about your shooting, or you’re a more experienced enthusiast who’s in the market to upgrade. Thank you for signing up to Digital Camera World. Mark Wilson, There's the ability to capture 16-bit raw over HDMI (plus a full-sized HDMI port), a stunningly high-resolution viewfinder, and a fully-articulating screen with an improved touch-interface. Currently priced at $797.99, this camera averages 4.5 stars from a couple of dozen reviews.It features a Leica … Smaller and lighter than the Lumix GH5 (above), yet equipped with a full-frame mirrorless sensor, the Panasonic Lumix S5 is a lesson in hybrid versatility. Mirrorless cameras are starting to mount a serious challenge to professional cinema cameras, led by the powerful Panasonic Lumix S1H (which also has the rather remarkable little Lumix S5 nipping at its heels), and the more adventurous camera makers are experimenting with new types of capture device – we are, of course, talking about the tiny and rather likeable Sigma fp. It might be the junior of the two launch models in Panasonic’s fledgling S system, but the S1 is arguably the better option for videographers. We’d like to have seen a 4K60p option (which you get in the Nikon Z6 II), and a little rolling shutter remains, but we otherwise remain very impressed with the Z6's video skills. Until then, there's also the incredibly well sorted Sony A7S III. GoPro's first built in waterproof camera with highly user-friendly interface, delivers a crunchy competitive 4K footage. For starters, it captures 4K UHD footage using the whole width of its full-frame sensor – no crop factor here – and offers full pixel readout at up to 30p. The 12MP resolution means the A7S III is pretty poor as a stills camera, but an absolute natural at 4K, so it is tilted more towards video than stills. Here you’ll find flexible mirrorless options which are well-suited to those who like to shoot a bit of everything, right through to high-end videography tools which come with a high-end price tag to match. 90s looks but is packed with the latest tech, Type: Mirrorless | Sensor size: Micro Four Thirds | Resolution: N/A | Lens: Micro Four Thirds | Viewfinder: N/A | Monitor: 5.0-inch touchscreen display | Maximum continuous shooting speed: N/A | Movies: 4K at 60fps | User level: Expert. Here's another camera that's the cheapest in its family but the best for 4K, Type: Mirrorless | Sensor: full frame | Sensor resolution: 24.2MP | Lens mount: Sony FE | 4K frame rates: 30, 24p | 4K sensor crop factor: 1x | Standard ISO range: 100-51,200 | Memory cards: 1x Memory Stick Duo/SD (UHS-I), 1x SD (UHS-II). These cameras are attractive because they make it possible to zoom in and out extensively. This model is the most impressive 4K DSLRs ever produced by Nikon. Though videos from 4k cameras have larger files size, many people will still go for it because of its high-technological capability. By giving it a decent viewfinder and “proper camera” ergonomics, Panasonic has given the G100 an edge in a highly competitive market. Autofocus: Most camera makers now offer fast hybrid phase- and contrast-detection autofocus systems, though Nikon DSLRs still use contrast-detect autofocus in live view and during video recording, and Panasonic’s Depth From Defocus (DFD) contrast-detect AF is really fast. What are the best 4K cameras? It has lower frame rate (4k/30 ftp) than Yi 4k Plus and relevantly costly. Videographers will be pleased to learn that there’s unlimited 4K video recording – most cameras can … This system supports an advanced H.265+ compression algorithm that is able to store the clear 4K feed coming from the camera. External recorder: Video cameras can record compressed video internally to memory cards, but you can usually record ‘clean’ (ie uncompressed) video to an external recorder via the camera’s HDMI port, too. £300 cashback deal Save £300 on the awesome A7 III, thanks to a cashback from Sony and Wex' exclusive discount code. This device can record in 4k, has built-in effects, and more! The Pocket Cinema Camera 4K takes a lot of what makes Blackmagic Design’s professional Ursa Mini Pro 4.6K G2 camera special and serves it up at a fraction of the cost. It might have since been succeeded by the Panasonic Lumix G90 / G95, but the Lumix G80 (known as the Lumix G85 in the US) is still a very capable and cost-effective option for those looking for a budget 4K camera. UK dealView Deal. Nikon's in-body image stabilisation is really effective, and if you connect an external recorder you can record high-quality 10-bit 4:2:2 footage – Nikon has also announced a deal to allow RAW video capture to an external Atomos device, though this will require a hardware upgrade. Videographers will see it differently. The M.ZUIKO Digital ED 12-100mm 1:4.0 IS PRO is the perfect parter for this camera, combining an effective 24-200mm focal range with a constant f/4 maximum aperture.
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