The Shadow Lines does not pretend to have a concrete plot. The Narrator is never given a name, but the entirety of The Shadow Lines is constructed from memories of his own experiences, and the memories of stories that people tell him. She is highly respected, and very patient. ... of teaching them about the diversity and vastness of the country' (116). The young boy think his uncle has a lot of knowledge and interesting perspectives. The character of Tha’mma is a representation of the practical feelings of old age. ‘The Shadow Lines’ has been no ordinary experience for me. The narrator‟s grandmother, Thamma is an important character in the novel. Tha'mma is a strict person. The main character, the young boy, loves to listen to his uncle’s stories. In many ways, The Shadow Lines is very much about that golden word ‘freedom’ which every character desires to achieve in her/his own way. As a twenty six year old, he realizes the truth when he merges from the shadows of Ila, Tridib and Tha’mma. Rather, it is a series of stream-of-consciousness memories delivered to the reader by an unnamed character known as the Narrator . Tha'mma is the young boy's, the narrator's, grandmother. Tha'mma was the headmistress of an all-girls school in the city where the young boy grew up, Calcutta (Kolkata) in India. His uncle, Tridib, is an amazing and mesmerizing person in the eyes of the main character, the young boy. Ghosh primarily focuses on the meaning of political freedom in the modern world and the force of nationalism. The narrator in the novel has no name. The narrator’s grandmother, Tha’mma, is the third central character to the structure of the novel. Thamma gets her national freedom but remains unhappy about the other changes around, her daughter-in-law/ narrator’s mother experiences a continuous subjugation in the shadow of the demanding Thamma. Tha'mma. The Shadow Lines Character Analysis. It brings a ticklish, sad, sweet sensation with it. Despite his love for certain people—Tridib, Tha’mma his grandmother, and Ila—he is extremely passive. The Shadow Lines (1988) can be viewed at one level as a story of a Bengali family through which Amitav Ghosh presents, analyses and problematises many issues that are being debated in contemporary India.The story cleverly engages in its main body characters spanning three generations of this family. However, the young boy’s grandmother, Tha’mma, does not agree with him. She was born and ... Thamma‟s urge to go to Dhaka and her desire to bring back her uncle Jethmoshi to Women - ‘the Regenerators’ of Life in The Shadow Lines 258 Ghosh’s women characters fit into Golding’s definition, by becoming the very essence of male characters. 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