Here's an overview of the guitars, amps and effects he uses. Thanks to STmotherfuckinP for the picture on the left, which was taken in Alpharetta, Georgia on August 23, 2008. The Rockman MidiPedal is designed to allow instant access to all the programs in the Rockman Midi Octopus switching system. Dean has not used this guitar with Stone Temple Pilots. Dean DeLeo uses a wide variety of guitars, amplifiers and effect pedals/processors. As reviewed in “Guitar Player”, SIB! Utilizing the same circuit design as the venerable Twenty One Fifty power amp, (used by Mick Mars of Motley Crue and Dean DeLeo of Stone Temple Pilots), the Two/Ninety/Two produces 90-plus watts per … the guitar was laying around, so I used it for 'Goodbye,' which was written really quickly." Freddy Villano April 26, 2018 Dean DeLeo bends a note the hard way on one of his Gibson Les Paul Standards during a 2015 show at San Francisco’s the Fillmore. - Dean DeLeo, in Guitar Player Magazine, February 1994. After Sage's Pages broke up, we formed a copy band doing three sets a night-two copy and one original-on the Jersey shore. Can also be seen in the "Vasoline" music video. Dean uses this guitar for most standard-tuning songs, including "Interstate Love Song", "Plush", "Wicked Garden", "Trippin' On A Hole In A Paper Heart", "Hollywood Bitch", "Crackerman", "Meatplow", "Sex Type Thing" and "Vasoline". (Year unknown, also possibly from the 1960s) As in all Demeter products, each TGA-3 is hand crafted using only the finest quality components to insure years of trouble free operation. It can have enough power to dictate a song." And the chorus pedal is used very sparingly, only on 'Piece of Pie' and at the very beginning of 'Trippin.' This is a 24-bit effects processor. It makes you experience the same dynamic feel as you would get plugged directly into your amp. The PRS has a piezo pickup system with its own output, allowing Dean to print the piezo and main pickup signals to separate tracks. Together they create the distinctive tone that recalls the sound of an electric sitar, as it weaves a tuneful counter melody beneath the vocal. Tuned to Nashville Tuning for Cinnamon in the Self Titled Tour. Dean's pedals and footswitches: from left: Rockman MidiPedal Foot Controller, S.I.B. Dean DeLeo's gear and equipment including the Fender Stratocaster Electric Guitar and Vox AC30 Guitar Combo Amp. This one has been used for playing "Still Remains" on previous tours and "Lounge Fly" on the 2008 STP tour. products to tube-up any musical instrument application performance or studio session. The CE-1's other output goes into Dean's rack, which features a Demeter TGP-3 three-channel preamp, a Rocktron Intelliverb and a VHT Classic stereo tube power amp that runs 50 watts per side into two Marshall 4x12 cabinets. The SIB! Save gear to your wishlist and see the best price. Utilizing the same circuit design as the venerable Twenty One Fifty power amp, (used by Mick Mars of Motley Crue and Dean DeLeo of Stone Temple Pilots), the Two/Ninety/Two produces 90-plus watts per … The Varidrive is heard only on the intro to 'Interstate Love Song.'". What kind of Guitars does Dean DeLeo use? Dean used a similar-coloured Fender Stratocaster in the music video for "Trippin' On A Hole In A Paper Heart" (1996). However, Dean jokingly adds that he has one great effects pedal "that was made by a friend of mine in San Diego. What kind of Amplifiers does Dean DeLeo use? That works out really well. Varidrive is the original SIB! In "Army Ants" we A/B'd two amps: one side was this old Leslie speaker, the other side had a Maestro Phase Shifter effect, and I was playing an old Vox Mando guitar. Reference clean with instant, remarkable effects. “Dean DeLeo (Stone Temple Pilots, Army of Anyone) won’t admit this in public but I introduced him to using [Line 6] Amp Farm to replicate the vintage tone without using vintage equipment. The equipment pictured is not Dean's. On nearly every song there's a little '50s Supro amp with a 10" speaker. "On the second half of the second and third choruses of 'Generation', you can hear another guitar come in. The processer is also known for its fast (almost realtime) switching capabilities, which are achieved through a large number of Static RAM memory IC's. Unfortunately there is no image available of Dean and this guitar. On "John" and "Hello Hello" I used a Sixties Vox Wah. I needed an amp, so I bought a Fender Pro Reverb and got my '78 Les Paul brand-new at Manny's --still got the receipt. He didn't have a guitar, so he was always picking up mine. Also on the road with Dean is a Sunburst '78 Standard with the action set high for use with a slide on the song "Big Empty." He just picked up the bass, and we were doing copies-tons of Rush, the Who. Again, there are three cabinets, which sit beneath the three AC30s, but only two are actually used. Pre-EQ effects circuits tend to make guitar / amp set-ups sound bland and too similar to each other. What kind of Music Accessories does Dean DeLeo use? I used all single coils and P-90's and mostly amps with 8- or 10-inch speakers.". When performing it, Dean uses a Paul Reed Smith hollowbody electric tuned, low to high, G G D G D D. Another staple of the live show is an intimate midset acoustic interlude, for which Dean generally pulls out a piezo-equipped Gibson J-45, although he also has a J-100 XT, a Guild JF-65 12-string and a Yamaha FG-60 on hand. DeLeo: Dean [DeLeo, guitarist] and I are always writing music, whether it's for STP or not. Blonde Telecaster w/Maple Fingerboard. "I laid down the solo to the song 'Disappear,' and Bob was like, 'That was great. The Classic XXX master-built stereo power amplifier is Fryette Amplification’s 30th anniversary reissue of the venerable Classic Power Amp used by Steve Lukather, Steve Vai, Michael Landau, Dean DeLeo … "A big 4x12, 100-watt amp would chew up too many of the frequencies and there'd be no room for anything else to breathe," he explains. The guitar is tuned in standard E-A-D-G-B-E tuning and uses stock pickups. "So you get both these sounds, but it's one performance. There may be a certain tone happening in the verse, the we'd introduce another tone in the track by using another guitar. "I double tracked the baritone," Dean explains, "and the PRS has a double output that I ran in stereo." So, although it's just Dean playing, it actually sounds like two guitar players. The tone knob has been replaced with a push-pull pot that in the "up" position places the two pickups out of phase and creates tone filter-style timbres. A gem of an overdrive preamp pedal that will make most any amp sound better while faithfully delivering all the gain boost you may ever need. Thanks to AFH for identifying this guitar. It's a box with a treble, mid and bass, volume and gain, and it has 12AX7 in it. He took seven electric guitars with him on the road, including four Gibson Les Paul Standards: In addition to that, he took his Lake Placid Blue '67 Fender Telecaster and two PRS McCarty hollowbody electric guitars, one of which is black. Depending on the size of the stage, I use two 4x12 or four 4x12 Marshall cabinets with Celestion 30s. "It's very simple," Mazzetta notes. On "Hide" I used a Rotovibe, and for the solo on that, I used a Boss DS-1 distortion. The equipment pictured is not Dean's. ", Dean played a (Gibson) ES-296 hollowbody on "Tiny Music"'s "And So I Know". "Essentially, this creates a nice chiming Vox sound along with a big crunchy Marshall sound," says DeLeo's guitar tech Rich Mazzetta. 8 Best Looper Pedals for Guitar: 2020 Gear Guide, The Top 11 Overdrive Pedals - 2020 Edition, Follow artists like Dean DeLeo and get inspired by their gear. He’s also played in ‘super groups’ such as Army of Anyone and Talk Show. "Lounge Fly" is an open-Dm tuning. What kind of Microphones does Dean DeLeo use? That slide part at the beginning of "Interstate Love Song" was played on a Hofner guitar shaped like the McCartney Hofner bass. It's called a 'Varidrive' and it almost gives me another amp at my foot. When I am tracking, I try to run as many amps as I can. Introduction "I've been using the same setup, the same rig since 1990,” Dean DeLeo, tells us, “every time we plug in it sounds great.” The guitarist’s soundcheck in London confirms this. Thanks to AFH for identifying this guitar. As far as amps go, he adds: "VHT and my Demeter. Band: Stone Temple Pilots. Our guitar amplifiers are used by Ben Harper, Sonny Landreth, Bonnie Raitt, John Hiatt, Ry Cooder, Mike Ward, Dean DeLeo (Stone Temple Pilots), Doyle (the Misfits), and Jack Frost among numerous others. It's possibly the best-sounding 12-string I've ever heard. And I'm like, 'What!? I played the solo, and Paul Leary of the Butthole Surfers does the solo at the end of it - strangling that thing! If you have any information about these, please contact me. "It's been an utter dream since I've been 14 years old, when I got my first United acoustic guitar for $49.99. Gretsch 6150T "Compact Tremolo" Vintage Amp. If I want to reintroduce a tone on a different part, but the track is great, I can just have the amps on three different tracks and bring that other sound in for a chorus. Core was mainly Teles and Les Pauls, and this one was done primarily with a great '58 Les Paul Special - one of those magical guitars - and a '67 Tele. As Dean explains, the song came about at Patrick's urging. The Varidrive faithfully preserves the original sonic flavor and tonal characteristics, harmonics, etc. 7 pays homage to the guitarist’s low-string grinding on songs like … Its' warm analog circuitry really has to be heard to be appreciated. I picked it back up in high school because I felt really weird; I didn't feel real comfortable about myself, and I needed something for some sort of identity, something I could grasp onto. It's used as an illustration only. Dean used the baritone for the song's solo and tracked it in tandem with the PRS McCarty in the choruses. The lower neck, which Dean uses for alternate tunings, has full- and split-humbucking options; the top neck, used for soloing in standard tuning, has humbuckers with no split option. "Interstate Love Song" is the Supro with two different Teles. "Rich had a few of those from his days in Filter," says Dean. This is a 6-string acoustic guitar, pictured on the left. We're starting out with our main guitar, … The strobe lights flashed the second Dean DeLeo’s guitar pounded out the first few notes of “Crackerman.” Weiland, dressed all in black with a black ski cap, clasped a megaphone and strutted … Dean used to play "Interstate Love Song", "Regeneration" and the Beatles cover "Revolution" on this one. Fender Telecaster (Blonde) w/Bigsby Tremelo and Rosewood Fingerboard, '61 Gibson SG TV Junior with one P-90 "dog ear" pickup, '65 Gibson Firebird  III non-reverse with P-90 pickups, Scholz SR&D Rockman MidiPedal Foot Controller, '77 Gibson Les Paul Standard ("The Wino"), a lot of lap steel amps such as Thirties Nationals (made by Valco), '58 Kay Pro, a small hollowbody. Guitar signals get routed through a pedal board equipped with a Dave Friedman-modified Cry baby wah and a Boss CE-1 stereo chorus pedal. Dean opted to craft an expansive, heavily layered guitar sound for the album, with six-string contributions from brother Robert. Dean is also known for his … It provides six effect algorithms and features complete programmability and full MIDI implementation. Dean took it on the road on the Army Of Anyone tour in 2006/2007, and played "Disappear" on it. It's a Fender Custom Shop Double-Neck six string guitar, which has an open tuning (D-A-D-G-A-D) on the bottom neck and a standard or drop-d tuning on the top neck for solos. VHT Valvulator I Line Driver/Power Supply. I landed in San Diego in '85. Dean DeLeo asks Guitar World with a Iaugh. Aside from his talent for crafting kaleidoscopic chordal clusters, Dean DeLeo is also a great hard-rock riff writer, and Ex. You put them both up to ten. "That's an example of how [producer Bob] Ezrin really challenged us," says Dean. Three channels and several switch options, a bit of STP, and a touch of School of Fish. Dean adds: "Don't ask me if I have it any more. Guitars, from left: '78 Black Gibson LP Standard, '77 Gibson Les Paul Standard ("The Wino"), '78 Sunburst Gibson LP Standard, '77 Gibson Les Paul Standard ("The Wino"), Lake Placid Blue '67 Fender Telecaster and two PRS McCarty hollowbody electric guitars. I can pick and choose that way. … One thing that makes Dean Deleo stand out as a guitar player is his very characteristic tone. To top off the praise, the built-in power supply and lengthy AC cord are certainly a welcome addition in our current world of annoying wall warts.". Schecter PT (unknown year) DeLeo’s tones come from a … On the floor I just have a volume pedal and a wah-wah. It's used as an illustration only. Interview: Dean DeLeo Following the release of a new self-titled studio album in 2018 (the band's seventh album and first with new lead singer Jeff Gutt), Stone Temple Pilots were back on UK shores for the 2019 edition of the Download Festival and Guitar Interactive Magazine was on hand to catch up with STP's founding member and guitarist Dean DeLeo. The equipment pictured is not Dean's. Robert picked up a '50s Danelectro Long Horn baritone guitarfor "Pop's Love Suicide" … 0.10 gauge strings on this 1978 Gibson Les Paul Standard, which is his main live guitar. SIB! Utilizing the same circuit design as the venerable Twenty One Fifty power amp, (used by Mick Mars of Motley Crue and Dean DeLeo of Stone Temple Pilots), the Two/Ninety/Two produces 90-plus watts per … In addition, there is no masking. Stone Temple Pilots’ brother guitar/bass duo Dean and Robert DeLeo have opened up about how their creative process culminated in their acoustic record, Perdida, which was announced in December last year with the single Fare Thee Well.. Talking to Guitar World, Rob DeLeo … One exception was the Class A closed-back combo made by his friend Jeff Snider. 1961 Gibson SG TV Junior with one P-90 "dog ear" pickup. Dean DeLeo is guitarist and one of the creative forces behind rock icons Stone Temple Pilots. "I always approached things differently with every album," he says. The guitars Dean used on these records are: When Guitar World Magazine asked "I don't hear too many effects on the [Talk Show] record", Dean answered: "There really weren't. The guitar is tuned in drop-d (D-A-D-G-B-E tuning) and uses stock pickups. The Varidrive is a genuine 12AX7 vacuum tube-based overdrive pedal. Dean used this guitar in the music video for "Interstate Love Song " (1994). It's a Fender Custom Shop Double-Neck six string guitar, which has an open tuning (D-A-E-A-A-C#) on the bottom neck and a standard or drop-d tuning on the top neck for solos. You played it beautifully. Song: Plush. The acoustic guitar that figures prominently on several tracks is a 1950 Gibson J-50, "I came upon that guitar a while back," says Dean. The equipment pictured is not Dean's. In this interview with [*Guitar Player*](http://www.guitarplayer.com/artists/... more, According to [this](http://www.guitargeek.com/dean-deleo-army-of-anyone-guita... more, Harmony Rebel through the Maestro Bass Brassmaster more. Dean has three AC30s onstage, but only one is actually used for any given show; the others are there as backups, and for visual effect. Get the gear to sound like Dean DeLeo and get their tone. As for the Vibrato section, it is absolutely stunning in capturing the wobbly magic of the Magnatone vibratos of the late 50s and early 60s. I'm also trying a number of different Martins and a Guild. Varidrive tube preamp, which is run into a Vox AC30 amp. On the album, Dean explores all the main resources for wresting various tones from an electric guitar, including double tracking, alternative tunings, backward guitar, Ebow and slide. Dean used this guitar in the music video for "Days Of The Week" (2001). It has a volume knob and a tone knob. The amp that gives Stone Temple Pilots' guitar player his … Also the PRS is in Nashville tuning, and together with the baritone, it makes a really nice blend. Dean's guitar collection back home is vast, but on tour he gets along with six electrics, three acoustics and one acoustic-electric. Utilizing the same circuit design as the venerable Twenty One Fifty power amp, (used by Mick Mars of Motley Crue and Dean DeLeo of Stone Temple Pilots), the Two/Ninety/Two produces 90-plus watts per … When asked what kind of guitars he used for "No.4", Dean tells Guitar Magazine: "I have a great '67 Tele that I always use. Stone Temple Pilots guitar great Dean DeLeo has a secret for fighting musical ruts: He simply puts his instrument down. I like to mic up a 4x12, an AC-30, and maybe a little Blackface. I'm using SIT strings, .010 on the top. The CE-1's chorus has a depth of character that truly fuses with your guitar sound instead off simply sitting on top of it like the annoying metallic shimmer of most modern units. This guitar has been used to play "Too Cool Queenie " on previous tours with Stone Temple Pilots. Top row: thanks to dml5089 for the picture on the left, that was taken on August 9, 2008 Atlantic City, New Jersey. We layered tracks, not to get a huge guitar sound, but to get a interesting tones and introduce different tones in different parts of the songs. The image on the left is from the Shangri-LA-DEE-DA promotional video (2001), the one on the right is from the VH1 Storytellers performance (2000). Robert plays most of the guitar on that. It's a layered sound." In 2001, STP's live show included a cover of Led Zeppelin's "Dancing Days," the song they recorded for Encomium, the 1995 Led Zep tribute. Thanks to Leiann for the picture in the middle, which was taken on July 12, 2008 in Toronto, Canada. The "drive" knob (gain boost) delivers a wide range of gain from toothy / edgy overdrive to buttery smooth break-up distortion with just the right amount of compression and run-on sustain at all times. It's used as an illustration only. That amp loves P-90's. Dean took it on the road on the Army Of Anyone tour in 2006/2007. Both of Dean's Telecasters date from the Sixties. Then I got turned onto Jimmy Page and I stupidly traded the Mustang for a fucking Les Paul copy, a Secova. Rocking out to digital content from Apple Music via the Sonos and Meridian products and songs like “Interstate Love Song” from Stone Temple Pilots (STP) really showcased the neutrality of … The VHT Valvulator I Line Driver/Power Supply uses a vacuum tube-based buffer circuit to change the guitar signal from high to low impedance. It was also used to play Creep at least once earlier in the same tour. Thanks go out to LiveFromThePit.com (left) and Mars (right) for pictures from the Long Beach, California show with Joe Walsh on August 10, 2004. ", Dean and Robert basically say that they don't need that many effects pedals, because "there's a beauty in plugging a certain guitar into a certain amp. My mom hit me with it once. pedal effects model and it continues to be sought-out by discriminating Pro players. You will find the collected information in chronological order here. "So I had a real assorment of smaller amps for this album: half a dozen Supros with six and eight inch speakers, half a dozen Magnatones, Silvertones, Univox, Ampegs, and a lot of smaller Fender amps like the Fender Pro. Fender Custom Shop Double Neck Stratocaster (Lake Placid Blue). Model Packs increase the number of Amp … It only goes about as loud as we're talking right now, so you can totally wind it out. it sounds like chorusing but it's actually doubled. I have that hooked up with an Intellifex digital effects unit. PRO GRADE ROAD WORTHY CONSTRUCTION, GuitarGeek.com calls this "The Holy Grail of all chorus pedals! Brother Dean DeLeo played a funky, octaved bass line on the opener, "Press Play," using a Hagstrom 8-string with a pick. Almost every song has two guitars on it. The picture on the right is from an unknown source and was taken during the 2008 tour. Electric guitar and dean 's decision to layer guitar tracks meant he would have to rely mainly on amps... 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